N° 01
MILAN · 1961
First launched in 1957, the 649’s fusion of distinctive design and cutting-edge technology has made it one of the most enduring sunglass shapes ever drawn. The name comes from the Turin tram line it was built for — a frame made for drivers, not for fashion, which is exactly why fashion kept it.
Two things make every Persol unmistakable. The Supreme Arrow on the temple — hand-finished, engraveable, carried on every frame since the beginning. And the Meflecto: patented in the 1930s, the world’s first flexible stem system, built by threading nylon and metal cylinders through acetate over a core of harmonic steel. More than ten working steps. Zero pressure on the head. Nothing else is made this way.
N° 01
MILAN · 1961
Persol made the 714 as a folding version of the 649. Steve McQueen wore it in The Thomas Crown Affair in 1968. Then he kept wearing it — racing, flying, off set. That crossover from costume to private life is what makes it different from every other film frame.
The 714 folds flat at the bridge. The glass is the same crystal ground in Turin. These are authenticated original stock.
N° 02
S. ADAMS · 1968
The Cazal 607 — known as “Cazzy” in America — is one of the most prominent and best-selling classics in the CAZAL collection. The distinctive, multi-faceted lens shape makes the model unmistakable. These are the frames Cari Zalloni designed when he wrote eyewear history.
The CAZAL Legends line holds absolute cult status. By the early eighties, the 607, 858, and 616 had become the defining eyewear of New York hip-hop — Run-DMC, LL Cool J, Spike Lee — and later Robert De Niro on screen in Casino. Authentic original stock is rare. Every pair we carry is serialized and verified.
N° 01
BK · 1983
Caviar Eyewear is built around hand-set Swarovski crystal — placed by hand, one stone at a time. Not printed. Not stamped. The frames catch light the way good jewelry does, because that is what they are.
The Caviar customer isn’t shopping a sale. She is looking for something that doesn’t exist in the mall, doesn’t appear in any department-store catalog, and doesn’t require explanation to the right person. Each pair is optician-fitted in Los Angeles and finished by hand.
N° 01
LA · EST. 2000
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Optica.la · Los Angeles, CA